Purchase your 2025 PFO Season Subscription today for your chance to win a $100 Visa Gift Card! Your support of PFO's 2025 Season will allow Pittsburgh Festival Opera to continue to deliver high quality experiences to the Pittsburgh community! Why limit yourself? Enjoy ALL of our 2025 performances! A Season Subscription will also save you money versus purchasing tickets for each individual performance! It's a win/win! 2025 Season Subscription $315 ($340 Value) Young Professional 2025 Season Subscription For individuals 45 years of age and under $250 ($285 Value) Student 2025 Season Subscription With valid student ID $40 ($45 Value) PLUS, purchase your season subscription between now and Friday, March 28, and you will be entered into a drawing to win a $100 Visa Gift Card! The winner will be announced on Saturday, March 29! Purchase your season subscription: CLICK HERE! For more information about PFO and our 2025 Season, visit us online at Pitt...
Marissa Lily, Mils James, Manny Walker, Emir Hardy, Chuck Timbers, Cheryl El Walker, Katy Cotten & Brenda Marks Set by Mark Clayton Southers Credit all Photos: Kim El One of the many things live theater does well is taking its audience to different places, times and moods through the power of story-telling. While this is a fairly obvious observation, this thought became especially poignant when, over a period of less than 24 hours, when I found myself on board a battleship in late 18 th century Portsmouth, England, then, 17 hours later, walking into a small Black church in rural South Carolina in the present day. The vehicles for this geographic time travel to places and times worlds apart were Gilbert and Sullivan’s comic opera, “H.M. S. Pinafore” and playwright Javon Johnson’s “Sanctified.” Both works, while musical comedies with morals to the story, came from diverse and rich cultural backgrounds. I’ve already published my review of Pinafore on my arts and enterta...