Skip to main content

Pittsburgh Ballet Theatre School Joins Phipps Conservatory to Kick off the Holiday Season with Poinsettias & Pointe Shoes



The Family-friendly Event Features Two of Pittsburgh’s Most Cherished Holiday Traditions

Phipps Conservatory and Botanical Gardens will partner with Pittsburgh Ballet Theatre (PBT School) to present Poinsettias and Pointe Shoes, a shortened version of PBT’s beloved The Nutcracker. This stunning, annual event combines the enchantment of The Nutcracker with Phipps’ gorgeous Winter Flower Show on Monday, November 20, 2023. 

Attendees will enjoy classic dances from Terrence S. Orr's The Nutcracker, including the "Dance of the Sugarplum Fairy" and “Waltz of the Flowers,” performed by talented pre-professional dancers from PBT School. After the show, attendees will have the opportunity to participate in a  meet-and-greet session and photo event with the dancers before exploring the Conservatory for a preview of some of the colorful poinsettias, glowing evergreens and festive displays of Phipps’ Winter Flower Show and Light Garden.
 
“The PBT School is always so excited to participate in Poinsettias and Pointe Shoes at Phipps Conservatory and Botanical Gardens,” said Raymond Rodriguez, dean of the Pittsburgh Ballet Theatre School. “It is such a magical experience for both the dancers and the audience. There is nothing like Tchaikovsky and ballet amidst the splendor of flowers.”
 
Phipps and PBT School will offer three sessions of Poinsettias and Pointe Shoes with performances at 4:30, 6 and 7:15 p.m.  Admission costs $38 for adults and $20 for children and includes an exclusive 50-percent-off ticket special to attend PBT’s full-length performance of The Nutcracker, onstage at the Benedum Center Dec. 8-28, 2023.  Additionally, Phipps members and PBT Subscribers receive a 10% discount on Poinsettias and Pointe Shoes tickets.
 
Tickets for this event will go on sale Tuesday, September 26, and can be made by visiting www.pbt.org or calling 412-454-9107. 

 ###

About Pittsburgh Ballet Theatre: Pittsburgh Ballet Theatre has been Pittsburgh’s premier professional ballet company since 1969. Today, PBT is a nationally recognized ballet company of 38 professional dancers, a training institution for over 1,200 students of all ages, and an incubator for education and accessibility programs in classrooms, libraries and community centers throughout the region. The company, under the leadership of Artistic Director Adam W. McKinney, performs a wide-ranging repertoire of classical ballets, contemporary masterworks and new commissions in nearly 50 performances annually. Additional information and ticket purchases for PBT performances, including its annual production of The Nutcracker from Dec. 8-28, can be found at https://www.pbt.org/performance-category/2023-2024-season/

About Phipps: Founded in 1893, Phipps Conservatory and Botanical Gardens in Pittsburgh, PA is a globally recognized green leader with a mission to inspire and educate all with the beauty and importance of plants; to advance sustainability and promote human and environmental well-being through action and research; and to celebrate its historic glasshouse. Encompassing 15 acres including a historic 14-room glasshouse, 23 distinct indoor and outdoor gardens and industry-leading sustainable architecture and operations, Phipps attracts more than half a million visitors annually from around the world. Learn more at phipps.conservatory.org.
 

Comments

Popular posts from this blog

Sanctified Explores Through Music How Diverse Attitudes are Transformed into an Inspired Unity

  Marissa Lily, Mils James, Manny Walker, Emir Hardy, Chuck Timbers, Cheryl El Walker, Katy Cotten & Brenda Marks Set by Mark Clayton Southers Credit all Photos: Kim El One of the many things live theater does well is taking its audience to different places, times and moods through the power of story-telling. While this is a fairly obvious observation, this thought became especially poignant when, over a period of less than 24 hours, when I found myself on board a battleship in late 18 th century Portsmouth, England, then, 17 hours later, walking into a small Black church in rural South Carolina in the present day. The vehicles for this geographic time travel to places and times worlds apart were Gilbert and Sullivan’s comic opera, “H.M. S. Pinafore” and playwright Javon Johnson’s “Sanctified.” Both works, while musical comedies with morals to the story, came from diverse and rich cultural backgrounds. I’ve already published my review of Pinafore on my arts and enterta...

Review of The First Lady- An Autocrat Gets Her Comeuppance

  Elizabeth Elias Huffman as First Lady and Doren Elias as Elish Photo Credit PICT Theatre           PICT Theatre’s U.S. premiere staging of Turkish/French playwright, Sedef Ecer’s, political satire The First Lady opens on a government ministers meeting in a hypothetical country somewhere in Mesopotamia.           Seen on video on a pair of screens on either side of the stage, the trio of officials (Art DeConsillis, Ricardo Vila-Roger and John Dolphin) scramble for a solution to the large-scale demonstrations taking place in the capital streets against their authoritarian regime,           The president has fled the country, and the crisis seems to be growing larger with every passing hour. “What do we do?” they ask one another in desperation.           They decide to enlist the help of the countr...

Art of Wise – Antebellum Horror in the Deep South

  Karla C. Payne, Justus Payne, Sheldon Ingram and Adjoa Opoku-Dakwa Credit All Photos:  Credit:  L. Martello/18ricco If you’d want to experience a good example of how those in power use fear as a tool of subjugation, you might want to reserve a ticket or two for the world premiere production of Art of the Wise . The play, the fifth in playwright Mark Clayton Southers’ series of ten works, each set in a different decade of the 19 th century, centers on two families living on a cotton plantation in 1822 Deep South Alabama. Jenny Malarkey, Joseph McGranaghan* and Maddie Kocur The slave owning Wise family is shown in marked contrast to their enslaved cotton field workers, who, as was the custom, took the surname of their master. In the past I’ve said that playwright Southers is one heck of a story teller, and his latest opus follows suit by having a strong narrative that’s both intricately written, intensely entertaining and emotionally rousing. The drama wastes n...