Skip to main content

Bizzy, Bizzy, Bizzy

Cosmos Flowers

 It’s been a busy couple of days. Today I picked cosmos and red and yellow 4 o’clock seeds for next year. (I’m being optimistic) and got ready for the siding installation on the house along with new gutters and downspouts plus awning removal. Then I headed off to the Marianna Public Library where I heard Mary Kay Zuravleff talk about her book on her family who immigrated to the U.S. as Old Believer Russian Orthodox. Some settled in Marianna and worshipped at an Old Believer church that still stands but has no current congregation. I wrote about the church years ago where I free lanced for the Washington County section of the Post-Gazette.

Little did I know I was sitting next to Dr. Leslie Midla and his wife, a dentist from nearby Marianna who is responsible for one of my tooth crowns. I also met historian Thomas Karolewics and his aunt as well as Cindy Spear, who helped create one of the best hiking trails in the area. (It’s only ¾ of a mile long but rises so steeply, you can see Scenery Hill from the top as well as the Uniontown Mountains.
I especially liked the cupcakes, muffins and cookies that were served at the reception.

Gioachino Rossini
Last evening, I caught the Pittsburgh Opera’s production of “The Barber of Seville,” a comic opera by Gioachino Rossini. I’m not sure if it was because I had a long six-month hiatus from the opera, was in a great mood or the opera staged one of its best in recent memories. The voices were all superb and John Moore in the role of Figaro not only excelled vocally but was impishly comic in the role of the barber. He’s definitely a singer to watch in the future.
Stephanie Doche as Rosina thrilled me with her Act 1 aria, but fell short in the Act 2 aria which I attribute to Rossini’s composition rather than her skills and talent. Musa Ngqungwana was an auditory delight with his low note register, which rang out forcefully even in the lower range. Brian Kontes as Bartolo was another singer able to reach into the lower register and produce some amazing melodies.
Emily Richter as Berta, not only sang well but has excellent ways with comedy. The ensembles were sheer genius (thank you Rossini) and the sounds produced were sheer bliss.
The opera’s ending included some of the most intricate and splendid vocals written by a musical genius. I was truly enthralled.
Something I learned about Rossini from the opera newsletter was the fact that Rossini stopped writing at age 37, except for a few works. For the rest of his life, he spent his time cooking and eating and is responsible for creating Tournedos Rossini, beef medallions with foie gras and truffle sauce. Rossini retired a very wealthy man who enjoyed giving lavish dinners attended by notable people in the world of music.
He is quoted as having said “Eating, loving, singing and digesting are, in truth, the four acts of the comic opera of life, and they pass like bubbles of a bottle of champagne. Whoever lets them break without having enjoyed them is a complete fool.”


Comments

Popular posts from this blog

Mon Valley Fans of Live Theater Get a Sumptuous Taste of Future Possibilities

The Cast of "What Do I Wear, 2,500 Tears of Fashion in Theatre" Credit all Photos: Kelly Tunney     The Mon Valley YMCA in Monongahela never looked so festive, so blatantly celebratory, as on the evening of April 13 when a troupe of 16 actors arrived with a trailer full of colorful costumes, many of which were quite elaborate.     The audience barely understood the full depth of the dazzle that awaited them as they took their seats for an event exuberantly titled “What Do I Wear, 2,5000 Years of Fashion in Theatre.”     The fundraiser for Pittsburgh International Classic Theatre was the brainchild of PICT’s artistic director, Elizabeth Elias Huffman. Elizabeth Huffman at the Podium     Huffman conceived of an idea that called for choosing selections from plays that started with the era of the ancient Greeks, marched on through Elizabethan England and Shakespeare, popped in on Restoration England via an American playwright,...

Exciting Things are Happening at PFO!

  Dear Friends, I invite you to join me in experiencing the voice of opera legend Csilla Boross as she kicks off our Legends in the Limelight concert series on September 24 at the Carnegie Free Library and Music Hall in Carnegie! Csilla performed the title role of Adriana in PFO’s concert opera debut of  Adriana Lecouvreur  on September 8 at the Carnegie Music Hall. Please enjoy the below video of Csilla singing Poveri fiori aria Act 4 from our final dress rehearsal! It was truly and amazing performance! I am hopeful you can join us for this magical evening! As you know, at PFO it’s all about the VOICE!!! Much love, Click below for a sneak peak of Csilla Boross: Sneak Peek of Adriana Lecouvreur! - YouTube For More Information and Tickets CLICK HERE Calling all young professionals! Please join us for a PFO Happy Hour this Wednesday, September 18 at the Mansions on Fifth! Come meet our staff as well as other Pittsburgh area young professionals! You will also have the opport...

Welcome to Fairyland - The Pittsburgh Savoyards Stage an Enchanting Iolanthe or The Peer and the Peri

      Peter Pan has one, Shakespeare’s A Midsummer Night’s Dream has a slew and Gilbert and Sullivan’s Iolanthe, as staged by the Pittsburgh Savoyards, has at least ten - before I stopped counting. Fairies, that is.     Just after the opening overture, performed by the 30-plus orchestra, possibly as best as I ever heard it under the baton of Guy Russo, a bevy of maiden fairies dressed in pastel gossamer fairy garb with wings, frolicked across the stage gleefully singing in full-voiced and stunning harmony ”Tripping hither, tripping thither.”     There was little to no tripping, however, as they danced nimbly to the spirited song, then segued into expressing their discomfort at the loss of Iolanthe (Savannah Simeone), the one fairy who brought such happy song and spirit to their fairy circle.     For such a blissful group there were some draconian laws that govern their behavior, namely, if one were to marry a morta...