Skip to main content

PFO's An Evening in Espana

 

 

Join the PFO for

An Evening in Espana

July 21 | 6:00 pm

 

National Aviary

700 Arch Street, Pittsburgh, PA 15212

 

Join us for a magical evening that will transport you to Spain in the elegant, open-air Garden Room at the National Aviary. Featuring flamenco, tango and salsa dancers, the Riverview Big Band, wonderful songs, and spectacular Spanish fare, it’s a little piece of European zest in the middle of your summer. Cocktail attire and cash bar.

RVSP deadline is July 15, 2024


Reservations and Sponsorship Opportunities

CLICK HERE


Featuring Vocal Performances by:

Marianne Cornetti, Colin Aikins, Danielle Pastin, Alexandria Zallo, and Graham Fandrei

 

Featuring Dance Performances by:

PGH Tango, Flamenco Pittsburgh, and Los Sabrosos Dance Co. 

 

 

Questions? Please contact us!

Marianne Cornetti, General Manager/Artistic Director

mcornetti@pittsburghfestivalopera.org

 

Mark Burnett, Director of Development

mburnett@pittsburghfestivalopera.org

Comments

Popular posts from this blog

Mon Valley Fans of Live Theater Get a Sumptuous Taste of Future Possibilities

The Cast of "What Do I Wear, 2,500 Tears of Fashion in Theatre" Credit all Photos: Kelly Tunney     The Mon Valley YMCA in Monongahela never looked so festive, so blatantly celebratory, as on the evening of April 13 when a troupe of 16 actors arrived with a trailer full of colorful costumes, many of which were quite elaborate.     The audience barely understood the full depth of the dazzle that awaited them as they took their seats for an event exuberantly titled “What Do I Wear, 2,5000 Years of Fashion in Theatre.”     The fundraiser for Pittsburgh International Classic Theatre was the brainchild of PICT’s artistic director, Elizabeth Elias Huffman. Elizabeth Huffman at the Podium     Huffman conceived of an idea that called for choosing selections from plays that started with the era of the ancient Greeks, marched on through Elizabethan England and Shakespeare, popped in on Restoration England via an American playwright, hopped over to Germany at the time of Schiller, touch

Welcome to Fairyland - The Pittsburgh Savoyards Stage an Enchanting Iolanthe or The Peer and the Peri

      Peter Pan has one, Shakespeare’s A Midsummer Night’s Dream has a slew and Gilbert and Sullivan’s Iolanthe, as staged by the Pittsburgh Savoyards, has at least ten - before I stopped counting. Fairies, that is.     Just after the opening overture, performed by the 30-plus orchestra, possibly as best as I ever heard it under the baton of Guy Russo, a bevy of maiden fairies dressed in pastel gossamer fairy garb with wings, frolicked across the stage gleefully singing in full-voiced and stunning harmony ”Tripping hither, tripping thither.”     There was little to no tripping, however, as they danced nimbly to the spirited song, then segued into expressing their discomfort at the loss of Iolanthe (Savannah Simeone), the one fairy who brought such happy song and spirit to their fairy circle.     For such a blissful group there were some draconian laws that govern their behavior, namely, if one were to marry a mortal, they should be put to death. Alas, poor Iolanthe.     Due t

Merrily We Roll Along - A Children’s Ditty No More

Marnie Quick as Beth, Dan Mayhak as Frank, Catherine Kolos as Mary, NathanielYost as Charley and David leong as Joe Credit: Deana Muro     Judging by the full and rich sound of the first notes music director, Douglas Levine gets from his eight-piece orchestra, you have to assume Front Porch Theatricals is giving its audience a exemplary production of Merrily We Roll Along. And you’d be right.     Off to a good start musically, the show goes on to feature some fine vocal and acting skills from its cast of, would you believe, 19.     Talk about a challenge. In her directorial debut no less, actor and educator, Daina Michelle Griffith, corrals this expansive cast with the skill a Catholic nun herding a group of grade schoolers to daily mass. Only this is no throng of pre-teenagers but a horde of professionals with talent galore up to the task of bringing Broadway‘s legendary Stephen Sondheim‘s work to life.     The musical, based on a play by Kaufman and Hart, opens during a party