Skip to main content

"KILN" is Coming to the Pittsburgh Glass Center

 


From Edinburgh to Pittsburgh, “Crumb to a Bird Ensemble” announces the U.S. debut of their immersive, site-specific play, KILN at the Pittsburgh Fringe Festival this March. Premiering this past summer at the Edinburgh Fringe Festival, KILN dives deep into our relationships with siblings, mourning, modern art, and being haunted by your father's ghost.

Can we ever know a person in their entirety? Or do we only ever see one angle? It's the night before the funeral of esteemed sculptor, Oliver M. Verino. In the throes of an unexpected reunion, his three children finalize their procrastinated eulogies in the soul-less walls of their childhood home. As each sibling competes with the other on the grounds of accuracy and allegiance to their father, a chaotic night ensues.

Why is new art so hard to understand? This ensemble of Pittsburgh-born artists based in New York City have devised their script through improvisation and collaborative writing. Before migrating to NYC, the artists Joshua, Logan, and Felicia gained their passion for theatre creation through Pittsburgh’s rich performance scene, and education from Carnegie Mellon University, The Pittsburgh Public Theatre, and Donna Belajac Casting Studio. 

To choose Pittsburgh, and collaborate with the Pittsburgh Glass Center as the location of the stateside debut of KILN is the completion of a full circle moment in all of their artistries.

Devised by and Starring: Joshua Brelsford, Felicia Reuter and Logan Shiller

Edinburgh Audiences Have Said:

“Quirky, clever, and very well acted. A pleasure” - “The Derek Awards”

“Everybody identifies with one of the siblings in the play, and knows somebody in their lives who is like the others. Excellent new work” - Audience Member

“The actors bring to their performances a rich history or collaboration and shared understanding. A truly

electric performance.” -  Audience Member

“The emotion of grief often takes a certain amount of absurdity to fully understand. KILN takes us there with winces and laughs along the way!” - Audience Member

Venue: Pittsburgh Glass Center

Tickets: $15 ($10 discount)

Dates: March 20th - 26th

Time: 7:00pm (Runtime of 40 minutes)

Festival Website: https://pittsburghfringe.org/events/kiln/


Comments

Popular posts from this blog

Sanctified Explores Through Music How Diverse Attitudes are Transformed into an Inspired Unity

  Marissa Lily, Mils James, Manny Walker, Emir Hardy, Chuck Timbers, Cheryl El Walker, Katy Cotten & Brenda Marks Set by Mark Clayton Southers Credit all Photos: Kim El One of the many things live theater does well is taking its audience to different places, times and moods through the power of story-telling. While this is a fairly obvious observation, this thought became especially poignant when, over a period of less than 24 hours, when I found myself on board a battleship in late 18 th century Portsmouth, England, then, 17 hours later, walking into a small Black church in rural South Carolina in the present day. The vehicles for this geographic time travel to places and times worlds apart were Gilbert and Sullivan’s comic opera, “H.M. S. Pinafore” and playwright Javon Johnson’s “Sanctified.” Both works, while musical comedies with morals to the story, came from diverse and rich cultural backgrounds. I’ve already published my review of Pinafore on my arts and enterta...

Review of The First Lady- An Autocrat Gets Her Comeuppance

  Elizabeth Elias Huffman as First Lady and Doren Elias as Elish Photo Credit PICT Theatre           PICT Theatre’s U.S. premiere staging of Turkish/French playwright, Sedef Ecer’s, political satire The First Lady opens on a government ministers meeting in a hypothetical country somewhere in Mesopotamia.           Seen on video on a pair of screens on either side of the stage, the trio of officials (Art DeConsillis, Ricardo Vila-Roger and John Dolphin) scramble for a solution to the large-scale demonstrations taking place in the capital streets against their authoritarian regime,           The president has fled the country, and the crisis seems to be growing larger with every passing hour. “What do we do?” they ask one another in desperation.           They decide to enlist the help of the countr...

Merrily We Roll Along - A Children’s Ditty No More

Marnie Quick as Beth, Dan Mayhak as Frank, Catherine Kolos as Mary, NathanielYost as Charley and David leong as Joe Credit: Deana Muro     Judging by the full and rich sound of the first notes music director, Douglas Levine gets from his eight-piece orchestra, you have to assume Front Porch Theatricals is giving its audience a exemplary production of Merrily We Roll Along. And you’d be right.     Off to a good start musically, the show goes on to feature some fine vocal and acting skills from its cast of, would you believe, 19.     Talk about a challenge. In her directorial debut no less, actor and educator, Daina Michelle Griffith, corrals this expansive cast with the skill a Catholic nun herding a group of grade schoolers to daily mass. Only this is no throng of pre-teenagers but a horde of professionals with talent galore up to the task of bringing Broadway‘s legendary Stephen Sondheim‘s work to life.     The musical...