Skip to main content

Pittsburgh Symphony Performs a Concert of Musical Variety

Violinist Nemanja Radulovic performing Aram Khachaturian's Concerto for Violin and Orchestra Credit: Iris Holleran


 The Pittsburgh Symphony Orchestra performed a mix of musical compositions from various eras Friday evening. Starting off with a piece titled "Sprouts" by contemporary composer Sean Shepherd, theshort 5-minute-long piece gets its inspiration from the redwoods of California. Saddened by the raging fires in the Santa Cruz area of California in 2020, the composer later learned that the trees need a cyclic cleanse by fire which spurs new growth as part of their life cycle. The piece starts with a soft tranquil melody but soon grows into a loud and boisterous section before returning to its initial mood.

Next on the program, Aram Khachaturian's masterful Concerto for Violin and Orchestra, spotlit Serbian-French Nemanja Radulovic, starring as the soloist in his PSO debut. Dressed in black pants and a white coat, which accented his long black hair which dangled over his right shoulder and down his back, Radulovic with dramatic movements that correlated with the emotion of the music, played loudly and forcefully equally as well as in sections that required a soft, delicate touch. His performance was so intensely powerful and emotional, he had the audience up on their feet at the close of the piece, calling him back for three curtain calls. He consented to their demands for more by adding a short piece that exhibited his considerable skill in getting the violin to do his bidding.

Conductor Giancarlo Guerrero Credit: Iris Holleran


Under the baton of guest conductor Giancarlo Guerrero, the Brahms Fourth Symphony, the composer's last, proved an elegant ending to the concert that will be repeated tomorrow evening and Sunday in a matinee.

During intermission Iris Holleran and I enjoyed a few moments at the Heinz Hall bar.


In a post-concert performance, PSO violinist Jeremy Black teamed up withPSO pianist Rodrigo Ojeda to treat the audience to the first movement of Mendelssohn's "Violin Concerto in E minor."

Comments

Popular posts from this blog

Exciting Things are Happening at PFO!

  Dear Friends, I invite you to join me in experiencing the voice of opera legend Csilla Boross as she kicks off our Legends in the Limelight concert series on September 24 at the Carnegie Free Library and Music Hall in Carnegie! Csilla performed the title role of Adriana in PFO’s concert opera debut of  Adriana Lecouvreur  on September 8 at the Carnegie Music Hall. Please enjoy the below video of Csilla singing Poveri fiori aria Act 4 from our final dress rehearsal! It was truly and amazing performance! I am hopeful you can join us for this magical evening! As you know, at PFO it’s all about the VOICE!!! Much love, Click below for a sneak peak of Csilla Boross: Sneak Peek of Adriana Lecouvreur! - YouTube For More Information and Tickets CLICK HERE Calling all young professionals! Please join us for a PFO Happy Hour this Wednesday, September 18 at the Mansions on Fifth! Come meet our staff as well as other Pittsburgh area young professionals! You will also have the opport...

Mon Valley Fans of Live Theater Get a Sumptuous Taste of Future Possibilities

The Cast of "What Do I Wear, 2,500 Tears of Fashion in Theatre" Credit all Photos: Kelly Tunney     The Mon Valley YMCA in Monongahela never looked so festive, so blatantly celebratory, as on the evening of April 13 when a troupe of 16 actors arrived with a trailer full of colorful costumes, many of which were quite elaborate.     The audience barely understood the full depth of the dazzle that awaited them as they took their seats for an event exuberantly titled “What Do I Wear, 2,5000 Years of Fashion in Theatre.”     The fundraiser for Pittsburgh International Classic Theatre was the brainchild of PICT’s artistic director, Elizabeth Elias Huffman. Elizabeth Huffman at the Podium     Huffman conceived of an idea that called for choosing selections from plays that started with the era of the ancient Greeks, marched on through Elizabethan England and Shakespeare, popped in on Restoration England via an American playwright,...

Welcome to Fairyland - The Pittsburgh Savoyards Stage an Enchanting Iolanthe or The Peer and the Peri

      Peter Pan has one, Shakespeare’s A Midsummer Night’s Dream has a slew and Gilbert and Sullivan’s Iolanthe, as staged by the Pittsburgh Savoyards, has at least ten - before I stopped counting. Fairies, that is.     Just after the opening overture, performed by the 30-plus orchestra, possibly as best as I ever heard it under the baton of Guy Russo, a bevy of maiden fairies dressed in pastel gossamer fairy garb with wings, frolicked across the stage gleefully singing in full-voiced and stunning harmony ”Tripping hither, tripping thither.”     There was little to no tripping, however, as they danced nimbly to the spirited song, then segued into expressing their discomfort at the loss of Iolanthe (Savannah Simeone), the one fairy who brought such happy song and spirit to their fairy circle.     For such a blissful group there were some draconian laws that govern their behavior, namely, if one were to marry a morta...