It’s
amazing what a troupe of dedicated performers and their support crew with
limited resources but lots of heart can do. The Pittsburgh
Savoyards, now staging a production of It’s a Wonderful Life, is a good
example of tapping into talent and dedication to produce positive, if not
praiseworthy, theatrical results.
Working with the rather small stage of the Margaret Partee
Performing Arts Center in Bellevue, the Savoyards have assembled an amazing
cast of 30 (if my count is correct) plus nine carolers to recapture the spirit
of Frank Capra’s 1946 now classic, holiday film of the same title.
Just as in the film, the opening scene shows George Bailey (Mike
Goffus) so distraught and dejected by life and personal misfortunes, alone and contemplating
suicide on Christmas Eve. Just when events seem darkest, his guardian angel,
Clarence Odbody (Stuart McNiell) shows up hoping to intervene.
To help set things right for the hopeless victim of
circumstance, Odbody plans to show George the positive effects his life has had
on numerous people, starting with his brother, Harry (Jack Bragg). As a
12-year-old, Baily rescued Harry who had fallen into a frozen pond.
Years later, Harry, in turn, prevented a kamikaze attack on
his ship during World War Two, saving many additional lives. As a youth, George
also prevented the accidental poisoning of one of his employer’s customers by
means of a faulty prescription.
When
George mentions to Clarence that he would have been better off if he had never
been born, Clarence shows him the alternative course of events that would have
taken place instead. Harry would have drowned in the pond, his fellow seamen
would never have been saved from the kamikaze attack and his pharmacist
employer, Mr. Gower (Phil Hayes) would have been convicted of manslaughter
because George wasn’t there to save the customer from being poisoned.
Part
of the reason, George is so distraught is the fact that he’s threatened with
financial ruin and criminal indictment due to his Uncle Billy’s (John Henry
Steelman) careless loss of $8,000 of George’s business finances. Uncle Billy,
it seems, had carelessly placed the envelope that carried the money into a
newspaper he gave to George’s nemesis, Henry F. Potter (Kevin B. McGuire) by
mistake.
The
unscrupulous Potter realizes the mistake, but fails to hand the funds back over
to the rightful owners. Instead, he maliciously phones the police and charges
George with mismanagement of funds and more.
The Cast of It's a Wonderful Life Courtesy Photo
Previously
George had weathered a run on his savings and loan association when his
investors raced to withdraw their holdings. Katie Kirby as Violet Peterson does
an especially effective portrayal of someone in panic mode about her holdings.
Someone
buttressing George through thick and thin is his childhood sweetheart, Mary
Hatch (Leah Grimm), whom he eventually marries. Another stalwart he can count
on his mother (Heather Rupert) whose maternal instincts are unfaltering.
Most
every drama has its villain, and McGuire as Potter certainly fills the bill. Unscrupulous
and greedy, he’s almost Scrooge-like in detestability. Unfortunately, James W.
Rogers, who adapted the film for the stage, doesn’t include a comeuppance for
the avaricious rogue.
Mike Goffus as George Bailey Courtesy Photo
If you’ve seen the film, and who hasn’t, you’ll be tempted to compare Goffus with Jimmy Stewart in the role of George, but you’d be comparing apples and oranges. With images of Stewart as the cinematic George dancing in my head, I found the staged George surprisingly delightful. Competent and self-assured, Goffus put a new and refreshingly valid spin on the role. Note: Several roles including that of George, are played by alternate actors in several performances.
The
same can be said of McNeil as the angel in search of his wings. McNeil doesn’t
hesitate to expose his self-serving involvement in saving George’s life. If successful,
his guarding angel status will be upgraded by gifting him his wings. His is a
delicate balance of showing his concern for George’s life with his personal
goal of becoming a fully developed angel.
Give
director Babrbara Burgess-Lefebvre credit for blocking, at least, on the
actor-filled stage as well as technical director/scenic designer, Robert
Hockenberry, for making each scene as evocative as possible with a minimum of
props.
Even
if you’ve seen It’s a Wonderful Life a myriad of times, it’s a tale that
never seems to get old or stale. Seeing it on stage should be a novel and fresh
experience for the many devoted fans of the film as well.
The
Pittsburgh Savoyards’ production of It’s a Wonderful Life is at the
Margaret Partee Performing Arts Center, 523 Lincoln Avenue, in Bellevue,
through December 20. For tickets and
more information, go to https://pittsburghsavoyards.org/.
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