Skip to main content

America 250 with the PBT Orchestra

 

A Star-Spangled Salute!

Celebrate America’s 250th Anniversary with a vibrant mixed repertory program featuring four classical and contemporary works that honor the American spirit. The works include The Mighty Casey, Lisa de Ribere’s playful take on America’s favorite pastime; George Balanchine’s patriotic and jubilant Stars and Stripes Pas de deux; Company B, Paul Taylor’s bittersweet ode to America that represents the dualities of our nation’s post-Depression excitement and feelings of despair on the eve of WWll with music by The Andrews Sisters; and Ben Stevenson’s romantic Three Preludes about two dancers who fall in love, featuring Rachmaninoff’s beautiful score.

The Mighty Casey

– Choreography: Lisa de Ribere | Music: Michael Moricz, featuring selections from John Philip Sousa and Stephen Foster

Stars & Stripes Pas de deux

– Choreography: George Balanchine © The George Balanchine Trust | Music: John Philip Sousa

Three Preludes

– Choreography: Ben Stevenson | Music: Sergei Rachmaninoff

Company B

– Choreography: Paul Taylor | Music: The Andrews Sisters

Comments

Popular posts from this blog

Sanctified Explores Through Music How Diverse Attitudes are Transformed into an Inspired Unity

  Marissa Lily, Mils James, Manny Walker, Emir Hardy, Chuck Timbers, Cheryl El Walker, Katy Cotten & Brenda Marks Set by Mark Clayton Southers Credit all Photos: Kim El One of the many things live theater does well is taking its audience to different places, times and moods through the power of story-telling. While this is a fairly obvious observation, this thought became especially poignant when, over a period of less than 24 hours, when I found myself on board a battleship in late 18 th century Portsmouth, England, then, 17 hours later, walking into a small Black church in rural South Carolina in the present day. The vehicles for this geographic time travel to places and times worlds apart were Gilbert and Sullivan’s comic opera, “H.M. S. Pinafore” and playwright Javon Johnson’s “Sanctified.” Both works, while musical comedies with morals to the story, came from diverse and rich cultural backgrounds. I’ve already published my review of Pinafore on my arts and enterta...

Exciting Things are Happening at PFO!

  Dear Friends, I invite you to join me in experiencing the voice of opera legend Csilla Boross as she kicks off our Legends in the Limelight concert series on September 24 at the Carnegie Free Library and Music Hall in Carnegie! Csilla performed the title role of Adriana in PFO’s concert opera debut of  Adriana Lecouvreur  on September 8 at the Carnegie Music Hall. Please enjoy the below video of Csilla singing Poveri fiori aria Act 4 from our final dress rehearsal! It was truly and amazing performance! I am hopeful you can join us for this magical evening! As you know, at PFO it’s all about the VOICE!!! Much love, Click below for a sneak peak of Csilla Boross: Sneak Peek of Adriana Lecouvreur! - YouTube For More Information and Tickets CLICK HERE Calling all young professionals! Please join us for a PFO Happy Hour this Wednesday, September 18 at the Mansions on Fifth! Come meet our staff as well as other Pittsburgh area young professionals! You will also have the opport...

Mon Valley Fans of Live Theater Get a Sumptuous Taste of Future Possibilities

The Cast of "What Do I Wear, 2,500 Tears of Fashion in Theatre" Credit all Photos: Kelly Tunney     The Mon Valley YMCA in Monongahela never looked so festive, so blatantly celebratory, as on the evening of April 13 when a troupe of 16 actors arrived with a trailer full of colorful costumes, many of which were quite elaborate.     The audience barely understood the full depth of the dazzle that awaited them as they took their seats for an event exuberantly titled “What Do I Wear, 2,5000 Years of Fashion in Theatre.”     The fundraiser for Pittsburgh International Classic Theatre was the brainchild of PICT’s artistic director, Elizabeth Elias Huffman. Elizabeth Huffman at the Podium     Huffman conceived of an idea that called for choosing selections from plays that started with the era of the ancient Greeks, marched on through Elizabethan England and Shakespeare, popped in on Restoration England via an American playwright,...