Ross is a GRAMMY™ Award-winning violinist, composer, and improviser, whose music-making has been hailed as "affecting" (The New Yorker), "gorgeous" (The New York Times), and "nobly shaped and impeccably sustained" (The San Francisco Chronicle).
Birds on the Moon was commissioned by Chamber Music Napa Valley exclusively for The Juilliard String Quartet. As the composer explains, “I conceived this piece during the winter months, and it was during my walks, peering into trees where I searched for invisible singing birds, I recorded their bird calls and transcribed them when I got home. I began to observe their patterns in flight and noticed that at sunset and sunrise their songs were the loudest.”
The work is spread across five movements that flow together without interruption. Ross describes it as a “poetic labyrinth.” Certain themes are borrowed from Bach’s Prelude BWV 852 (which will also be heard on this program, immediately preceding Ross’ work), the Fuga from Beethoven’s piano sonata, Op. 110 and droning textures heard in Beethoven’s String Quartet No. 15, Op. 132.
With regard to the mysterious title of the work, Ross says, “I became obsessed with the idea of gravity affecting each of the players differently, and the phrase ‘birds on the moon’ appeared in my mind. To my delight, this phrase revealed itself to be equal parts riddle and poetry: throughout history, philosophers, poets, amateur astronomers questioned whether birds indeed migrated to the moon in winter. And so, the title of my quartet Birds on the Moon alludes to a metaphysical and impossible journey.”
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