Skip to main content

Your Child's Chance To Be Center Stage!

 

2023-24 SEASON

REGISTER FOR BRAVO ACADEMY!

Bravo This Summer!

Don't miss Pittsburgh Opera's Bravo Academy!

Do you have a child who can't stop singing along with their favorite songs? Does your child love to design, draw, and create? Is your child interested in the magic that goes on backstage of a performance?

 

Then Bravo Academy is for YOU!

 

Enrollment is now open! Designed for rising 6th-9th graders and held in Pittsburgh Opera's Headquarters and professional performance space, the Bitz Opera Factory, Bravo Academy offers two, 1-week programs (9:30 AM to 12:30 PM) where participants receive invaluable hands-on experiences with leading industry professionals and performers. 

 

Dates:


Session 1: Monday, July 15 - Friday, July 19

Session 2: Monday, July 22 - Friday, July 26

 

All participants will take several fun and engaging classes including costume design, improvisation, voice, opera storytelling, movement, special effects/lighting design and SO MUCH MORE! 

 

To help cover our costs, our program fees are $200 for one week and $360 for two weeks. Sibling discounts and payment plans are available, as are a limited number of scholarships. For more information, contact Rebekkah Diaz via email or by phone at 412-281.0912, x256.

Have a blast making new friends in a fun, fascinating environment this summer with Pittsburgh Opera in Bravo Academy!
 
 

Comments

Popular posts from this blog

Sanctified Explores Through Music How Diverse Attitudes are Transformed into an Inspired Unity

  Marissa Lily, Mils James, Manny Walker, Emir Hardy, Chuck Timbers, Cheryl El Walker, Katy Cotten & Brenda Marks Set by Mark Clayton Southers Credit all Photos: Kim El One of the many things live theater does well is taking its audience to different places, times and moods through the power of story-telling. While this is a fairly obvious observation, this thought became especially poignant when, over a period of less than 24 hours, when I found myself on board a battleship in late 18 th century Portsmouth, England, then, 17 hours later, walking into a small Black church in rural South Carolina in the present day. The vehicles for this geographic time travel to places and times worlds apart were Gilbert and Sullivan’s comic opera, “H.M. S. Pinafore” and playwright Javon Johnson’s “Sanctified.” Both works, while musical comedies with morals to the story, came from diverse and rich cultural backgrounds. I’ve already published my review of Pinafore on my arts and enterta...

Review of The First Lady- An Autocrat Gets Her Comeuppance

  Elizabeth Elias Huffman as First Lady and Doren Elias as Elish Photo Credit PICT Theatre           PICT Theatre’s U.S. premiere staging of Turkish/French playwright, Sedef Ecer’s, political satire The First Lady opens on a government ministers meeting in a hypothetical country somewhere in Mesopotamia.           Seen on video on a pair of screens on either side of the stage, the trio of officials (Art DeConsillis, Ricardo Vila-Roger and John Dolphin) scramble for a solution to the large-scale demonstrations taking place in the capital streets against their authoritarian regime,           The president has fled the country, and the crisis seems to be growing larger with every passing hour. “What do we do?” they ask one another in desperation.           They decide to enlist the help of the countr...

Art of Wise – Antebellum Horror in the Deep South

  Karla C. Payne, Justus Payne, Sheldon Ingram and Adjoa Opoku-Dakwa Credit All Photos:  Credit:  L. Martello/18ricco If you’d want to experience a good example of how those in power use fear as a tool of subjugation, you might want to reserve a ticket or two for the world premiere production of Art of the Wise . The play, the fifth in playwright Mark Clayton Southers’ series of ten works, each set in a different decade of the 19 th century, centers on two families living on a cotton plantation in 1822 Deep South Alabama. Jenny Malarkey, Joseph McGranaghan* and Maddie Kocur The slave owning Wise family is shown in marked contrast to their enslaved cotton field workers, who, as was the custom, took the surname of their master. In the past I’ve said that playwright Southers is one heck of a story teller, and his latest opus follows suit by having a strong narrative that’s both intricately written, intensely entertaining and emotionally rousing. The drama wastes n...